Still living the country i found my studio practice was continually evolving, i even tried at a certain point moving all of my materials and painting into the shed. Set it up how i wanted it but just realised you were always having to be at the elements, don’t get me wrong i do remember achieving some great artistic achievements just from having a shed to compile all the workings into. When studying the Visual Arts Degree i had a focus mainly in sculpture, so i really wanted to be able to work within differing mediums.

I wanted to highlight the painting Night Scene. I wanted to show to the viewer a larger perspective on how much detail is within each piece of the work, each piece is characteristically different, yet there are the common threads that held them all together each one does paint a scene of whee i have been in a very abstract context. i would look at each painting for hours to solve that balance. the fine line between all those elements

the work itself is made up of an extreme process of push and pull and that is why i mostly like to work outside. i have been known to come home with spray guns form the hardware store just to see the effect! let alone anything else that may be used for the process.