In 2007 nik found himself producing large artwork based in a rural and remote country location. The type of arid landscape found its way onto Demasi’s large scale canvases. The apparent overflow of similar images from when he was a child were starting to formally take shape. The saturation of oranges and this continual almost habitual use of the arid scape viewpoint. He found that he was starting to think of his works as whole bodies of artwork.
“i find producing whole bodies of work a great way to re count your childhood experiences as well as look at new experiences . i don’t know why but i have always been drawn towards making full bodies of work, instead of making singular pieces of work. there is this challenge in seeing what would happens when you start ‘conceptually’ twenty pieces of work. When you create a whole body of work your work is more at one, each piece has that relationship with the other”.